2021
DOI: 10.1177/0163443721991087
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Public intimacy in social media: The mass audience as a third party

Abstract: This study presents a novel analysis of social network sites as a staged performance of interpersonal ties in front of a third party, here defined as public intimacy. This concept moves away from the current focus on the presentation of self in social media to the performance of relationships. Users of social media are compared to an interactive audience in a round theater. As inner circle network members display their exclusive ties in front of ther users they may also tease them into joining the conversation… Show more

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Cited by 18 publications
(3 citation statements)
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References 44 publications
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“…As highlighted above, clubs in the North and in the Midlands tend to be found in clusters (Table 1 ) – sometimes with at least three within twelve miles of one another. One explanation for this could be that clubs in different locations adopt familiar repertories of public intimacy (McNair, 2003; Kaplan 2021 ). These repertories refer to the ways in which entertainment venues shape, configure and manage experiences within those spaces.…”
Section: Discussionmentioning
confidence: 99%
“…As highlighted above, clubs in the North and in the Midlands tend to be found in clusters (Table 1 ) – sometimes with at least three within twelve miles of one another. One explanation for this could be that clubs in different locations adopt familiar repertories of public intimacy (McNair, 2003; Kaplan 2021 ). These repertories refer to the ways in which entertainment venues shape, configure and manage experiences within those spaces.…”
Section: Discussionmentioning
confidence: 99%
“…Yet in effect, the communicative relation is triadic: on social media platforms, there is always a third party present, in the shape of a large, mostly anonymous audience of present and future social media users. As Danny Kaplan (2021) has argued, in situations of mediated public intimacy, the presumption is that the performance of intimacy will be less intense, whereas the reverse is often the case. Moreover, the dyadic emotional performance will likely attract a wider audience, who enjoy a vicarious intimacy in witnessing the intenser intimacy of the two protagonists.…”
Section: Mediating the Intimate Assemblymentioning
confidence: 99%
“…Francisco Yus (2017) Platform seperti Facebook dan Twitter mengetengahkan komunikasi dalam media yang lebih luas. Antara pengkaji yang melihat unsur penggerak komunikasi dalam platformplatform ini adalah Rosita Ambarwati (2017), Berriche dan Altay (2020), dan Danny Kaplan (2021). Rosita Ambarwati (2017) melihat aspek keharmonian sebagai penggerak komunikasi dalam kalangan wanita di Facebook.…”
Section: Kajian Penggerak Komunikasi Dan Teknologiunclassified