Pushing the limits of the family on Turkish television: <i>Lost City</i>, an alternative voice?

Cetin, Kumru Berfin Emre

doi:10.1177/0267323116677206

Cited by 2 publications

(14 citation statements)

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“…Međutim, od prvih serija turske produkcije iz sedamdesetih godina prošlog veka do njihove međunarodne popularnosti i velike gledanosti u različitim delovima sveta trebalo je da prođe nekoliko decenija. Iako se njihov razvoj može pratiti posebno od sredine 1990-ih, većina istraživača/ica se slaže da tokom 2000-ih nastaje nova epoha u razvoju turske industrije televizijskih serija (Paris 2013;Amzi-Erdogdular 2014;Emre Cetin 2014;Öztürkmen 2018;Zgurić 2021). Ipak, ne postoji potpuna saglasnost oko toga šta je označilo početak ovog procesa tokom kog je jedan nekada "lokalni proizvod namenjen lokalnim gledaocima" (Zgurić 2021, 238) transformisan u fenomen globalne popularnosti i industriju velike tržišne vrednosti.…”

Section: Z I S K 578unclassified

“…Amerike i Azije (Paris 2013, 158;Emre Cetin 2014, 2465Garapon et Villez 2018, 3;Öztürkmen 2018, 8;Zgurić 2021, 239). Zapadna Evropa za sada uglavnom ostaje zatvorena za distributere ovih televizijskih proizvoda (Acosta-Alzuru 2021, 16).…”

Section: K : 579unclassified

“…Može se reći da je ovaj period završen 1989. godine kada je osnovana prva privatna televizija koja je imala nacionalnu pokrivenost -Magic Box. Vlasnici su iskoristili neregulisano medijsko tržište, kakvo je bilo u to vreme, ali je zbog ustavnih i zakonskih ograničenja u vezi s osnivanjem privatnih medija program morao da se emituje iz Nemačke (Emre Cetin 2014Cetin , 2454Öztemir 2018, 32). Ovo je bila prelomna tačka koja je najavila novu eru televizijske industrije koja će započeti 1994. kada je država prestala da ima monopol nad radio i televizijskim emitovanjem.…”

Section: Z I S K 590unclassified

“…Emre Cetin ističe da su privatne televizije na različite načine godinama iskorišćavale neregulisanost medijskog okruženja, uključujući neplaćanje taksi i nadoknada, samostalno donošenje odluka o reklamnim terminima i njihovoj dužini, odlučivanje o televizijskom sadržaju bez učešća bilo koje regulatorne institucije. U tom smislu se može reći da su privatni TV emiteri u doslovnom smislu uživali u slobodnom tržištu (Emre Cetin 2014Cetin , 2464up. Öztemir 2018, 38).…”

Section: Z I S K 592unclassified

“…Naime, iako je Visoki savet za radio i televiziju (Radyo Televizyon Üst Kurulu, RTSC), koji je osnovan 1994. imao zadatak da planira i dodeljuje frekvencije on ovu funkciju nije obavljao do 2006. Na taj način su prenosi programa privatnih televizija de facto bili ilegalni više od 15 godina (Emre Cetin 2014Cetin , 2464.…”

Section: Z I S K 592unclassified

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"The Fall of Leaves": A Look at Turkish Television Series and Families

Ivanović

Kovač

2022

EAP / IEA

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At the turn of the millennium, Turkish television series became a global phenomenon, requiring comprehension of the broader social and historical context of their production, distribution and reception. The paper considers questions regarding their genre and points to the socioeconomic and political circumstances of their development and transformation into a cultural product with worldwide popularity and an industry with great market value. Particular attention has been given to the question of how these processes have affected the depiction of the family and family values in these series. The second part of the paper presents a case study of the series The Fall of Leaves, in which the concept of the family and family life that is offered through the plot of "the family in crisis" in the present age of changes is examined. The reception of family relationships in the series has been studied through the analysis of an internet forum in which forum members, viewers of this series in Croatia and the region, commented in 2287 posts from 2011 to 2012 on the first TV broadcast of this Turkish series.

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Section: Z I S K 578unclassified

Section: K : 579unclassified

Section: Z I S K 590unclassified

Section: Z I S K 592unclassified

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"The Fall of Leaves": A Look at Turkish Television Series and Families

Ivanović

Kovač

2022

EAP / IEA

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Content is power: Cultural engineering and political control over transnational television

Algan

Kaptan

2023

International Communication Gazette

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Since the 2000s, the television industry in Turkey has emerged as a transnational business and as one of the largest TV program exporters worldwide. However, Turkish television is still largely national in its production practices and content, and thus, highly vulnerable to the domestic political landscape and media regulations of the government. In the last two decades, rather than endorsing the independent growth of this emerging industry in the international markets, the Turkish government has erected barriers by tightening censorship and passing new regulations to control national television and its content production. The AKP government deployed various state apparatuses, including Turkey's public broadcasting channel (TRT), English language news channel (TRT World), and the regulatory agency Radio and Television Supreme Council (RTÜK) to foster the type of television content that can ideologically serve the AKP's conservative and neo-Ottomanist agendas. Drawing on the political economy of media and through critical analysis, this paper analyzes how these state mechanisms are used to instrumentalize TV exports and media institutions in service of President Erdoğan's cultural, economic, and foreign policy agendas within the country and abroad. By investigating the tension between the state's ideological project and the regional, transnational, and global mediasphere, our work sheds light on how the implementation of the government's new media and cultural policies, top-down directives and pressures from the state and government on both the TV industry and its audience, and South-to-South cultural flows have shaped the Turkish TV industry and its content in the last two decades.

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Pushing the limits of the family on Turkish television: Lost City, an alternative voice?

Cited by 2 publications

References 14 publications

"The Fall of Leaves": A Look at Turkish Television Series and Families

"The Fall of Leaves": A Look at Turkish Television Series and Families

Content is power: Cultural engineering and political control over transnational television

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