“…In the past four decades Raman spectroscopy has emerged as the most notable instrumentation method in the field of art, archaeology and heritage architecture. [1][2][3][4][5][6] In addition to its other numerous applications, 7,8 it has obtained widespread implementations in the identification of pigments, dyes and binders in paintings, wall-arts, frescoes and manuscripts, study of archaeological sites, analysis of gemstones, glass, fibres, papers, ceramics, pottery, ink and various other substances. [9][10][11][12][13][14][15][16][17][18] Raman spectroscopy was discovered by Sir C. V. Raman in 1928, 19 but its extensive employment in art and archaeology began with the appearance of Molecular Optical Laser Examiner (MOLE) Raman microprobe in 1975.…”