2014
DOI: 10.1080/08351813.2014.900229
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Sighing in Interaction: Somatic, Semiotic, and Social

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Cited by 76 publications
(51 citation statements)
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References 67 publications
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“…1979, 1984, 1985, 2004) opened up whole seams of interactional research for linguists, whatever their subdisciplinary affiliations, from semantics to phonetics. Jefferson's later discussion of 'a frog in the throat' (2010) paved the way for further work on other sorts of vocalisations; for example, Hoey (2014) shows how sighing accomplishes specific work in interaction and that "the variable positioning and delivery of sighs [are] responsive to and relevant for ongoing, incipient, and concluding units of action" (196).…”
Section: On Actions Through Practices: What Linguistics Does For Ca mentioning
confidence: 99%
“…1979, 1984, 1985, 2004) opened up whole seams of interactional research for linguists, whatever their subdisciplinary affiliations, from semantics to phonetics. Jefferson's later discussion of 'a frog in the throat' (2010) paved the way for further work on other sorts of vocalisations; for example, Hoey (2014) shows how sighing accomplishes specific work in interaction and that "the variable positioning and delivery of sighs [are] responsive to and relevant for ongoing, incipient, and concluding units of action" (196).…”
Section: On Actions Through Practices: What Linguistics Does For Ca mentioning
confidence: 99%
“…In line 7, the client begins her turn with a sigh, which has been found to work as an ‘affect forecast’ (Hoey, ), commonly and also in this case understood as a marker for negative affect. By positioning herself as not in control of her emotions (line 7) and then as the feelings of guilt being a consequence of the event of her ‘doing something really wrong’, she accomplishes several things: The sentence is structured as a confession which disclaims any moral irresponsibility.…”
Section: Discussionmentioning
confidence: 99%
“…At lines 11–13, as the Chair confirms the primary reviewer’s (Dharanipragada’s) score, the secondary reviewer, Jack—having originally submitted a weaker written score of three—responds to Dharanipragada’s score announcement with an audible and embodied stance display: Jack visibly deflates (Clifton, 2014) as he slumps down in his chair and he tightens his lips in a grimace while producing an audible outbreath, a configuration of semiotic resources recognizable as a sigh (Hoey, 2014). The organization of this display prior to the recognizable beginning of Jack’s turn—what Hoey terms a “prebeginning sigh”—projects the dispreferred nature of his own incipient score report, as does the silence at line 10 (which further delays Jack’s response).…”
Section: Laughter In the Score-reporting Sequencementioning
confidence: 99%