This paper takes the view that Baudrillard's work on the West's fascination with reality is as insightful as ever. The paper traces the rise of this fascination across four areas of his work: the critique of the commodity form, the rise of objective reality, hyperreality, and integral reality. I then argue that Baudrillard provides us with a means for adequately understanding and engaging with the current post-truth scandal. My claim is that the essence of' 'Trumpism' is not to be found in a lack of reality, the notion that there is not enough truth in play; it is to be found in the overproduction of a surplus reality that veers out of control into hitherto unknown forms of absurdity, or, in Baudrillard's terms, into integral reality.Brett Nicholls works at the University of Otago, New Zealand, in the Department of Media, Film and Communication. He publishes work on technology, media and politics, as well as postcoloniality. He is currently working on Jean Baudrillard's relationship to science. He can be contacted at brett.nicholls@otago.ac.nz. Vol. 16, No. 2 2016 7 post-truth world' (Hollo 2017). Along with the Twitter storm, such headlines suggest that a high stakes battle between the objectively real and the illusory and fake is well underway. This paper will trace the stakes of this battle by looking at Baudrillard's work. In the recent post-truth context, his long-term engagement with Western culture's fascination with the real is particularly prescient. I will focus specifically upon this fascination and the rise of the general imperative of being in synch with reality across four areas of Baudrillard: the critique of the commodity form, the rise of objective reality, hyperreality, and integral reality. I will argue that Baudrillard provides us with a means for adequately understanding and engaging with the current post-truth scandal. I will offer a Baudrillardian take upon post-truth and Trumpism, as it has been constructed in media. This take focuses upon the conditions for the rise of Trumpism and post-truth. My claim is that the essence of the present media scandal is not to be found in a lack of reality, the notion that there is not enough reality in play; it is to be found in the overproduction of a surplus reality that veers out of control into hitherto unknown forms of absurdity, or, in Baudrillard's terms, into integral reality. 'The real does not', Baudrillard tells us, 'efface itself in favour of the imaginary; it effaces itself in favour of the more real than real: the hyperreal' (Baudrillard 1990b, 11), and, ultimately, integral reality. In a reversal of what might be considered to be common sense logic, the problem of Trumpism and post-truth is not that reality is diminishing, it is that there is too much.
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