2015
DOI: 10.22459/sep.07.2015
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Songs of the Empty Place: The Memorial Poetry of the Foi of the Southern Highlands Province of Papua New Guinea

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Cited by 3 publications
(3 citation statements)
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“…and to tribal land, which is viewed as the support for existence and knowledge (Stella, 2007: 34–38; Rose, 1996b: 31–32). In his research with the Foi people (Papua New Guinea), Australian anthropologist James F. Weiner explains that it was not possible for him to collect songpaths outside connections with the land; it was only by travelling through landscapes and towards places that the Foi people performed songpaths (Weiner, 2015: xi). For them, the action of walking cannot be divorced from the songpaths themselves.…”
Section: Decolonizing Pathsmentioning
confidence: 99%
“…and to tribal land, which is viewed as the support for existence and knowledge (Stella, 2007: 34–38; Rose, 1996b: 31–32). In his research with the Foi people (Papua New Guinea), Australian anthropologist James F. Weiner explains that it was not possible for him to collect songpaths outside connections with the land; it was only by travelling through landscapes and towards places that the Foi people performed songpaths (Weiner, 2015: xi). For them, the action of walking cannot be divorced from the songpaths themselves.…”
Section: Decolonizing Pathsmentioning
confidence: 99%
“…I last saw Jaimie—who was then still Jimmy Weiner—in 2015 at a conference in Oslo, where she had reluctantly agreed to take part in yet one more academic conference on resource development. In this same year, she and Don Niles produced an open access book, Songs of the Empty Place (Weiner 2015), with accompanying audio files, documenting Foi music Jaimie had recorded years earlier. She told me it was the last bit of Foi ethnography she had to publish.…”
mentioning
confidence: 99%
“…In addition to his teaching duties there, Jimmy wrote his second book, The Empty Place: Poetry, Space, and Being among the Foi of Papua New Guinea (Weiner 1991). In that book he concentrated on another genre of Foi verbal art: their mourning songs, which are composed entirely by women (see also Weiner and Niles 2015). The main theoretical touchstone of The Empty Place was the phenomenology of Martin Heidegger, with its emphasis on poetic language as a 'house of being'.…”
mentioning
confidence: 99%