1999
DOI: 10.2307/1319329
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Teaching Mexican American Experiences through Film: Private Issues and Public Problems

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Cited by 37 publications
(20 citation statements)
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“…Th e global consumers class in which this model was implemented used a variety of pedagogical techniques that engaged students and encouraged both active and deep learning. Th e variety of pedagogical techniques included experiential learning (Kolb, 1984); videos and fi lms as supplements to lectures (Valdez, 1999;Smith, 2002;Bluestone, 2000;Gregg, Hosley, Weng, & Montemayor, 1995); idea-generating processes (Correll, 1997); collaborative models of group learning (Williamson & Rowe, 2002;Cohen, Lotan, Abram, Searloss, & Schultz, 2002); guest lecturers (Mooney, 1998); cre-ative presentations, and the Internet (Clark, 2001;St. Amant, 2002).…”
Section: Th E Learning Processmentioning
confidence: 99%
“…Th e global consumers class in which this model was implemented used a variety of pedagogical techniques that engaged students and encouraged both active and deep learning. Th e variety of pedagogical techniques included experiential learning (Kolb, 1984); videos and fi lms as supplements to lectures (Valdez, 1999;Smith, 2002;Bluestone, 2000;Gregg, Hosley, Weng, & Montemayor, 1995); idea-generating processes (Correll, 1997); collaborative models of group learning (Williamson & Rowe, 2002;Cohen, Lotan, Abram, Searloss, & Schultz, 2002); guest lecturers (Mooney, 1998); cre-ative presentations, and the Internet (Clark, 2001;St. Amant, 2002).…”
Section: Th E Learning Processmentioning
confidence: 99%
“…Early studies by Babcock (1967) and Cawthon (1968) identified heightened enthusiasm and increased understanding of human situations through films.More contemporary studies (Azzarito, 2010;Hovet, 2006;Metzger, 2007;Valdez, & Halley, 1999) have documented similar findings, thereby corroborating some of the perceived benefits of film as an instructional tool. Bailey and Ledford (1994) cited the employment of contemporary films in the classroom as having a significant impact on retention through the mental stamping of vivid images in the mind.Helping students interpret and conceptualize social phenomena, as well as develop a social perspective are salient pedagogical assets of films.They can reinforce existing socio-cultural concepts and lead to the discovery of new ones (Cartier, 2014;Tipton &Tiemann, 1993;Wollensky, 1982).…”
Section: Pedagogical Significancementioning
confidence: 54%
“…In teaching, existing visual and audio-visual material is widely used as a pedagogical tool to help foster in students an understanding of sociological issues, including the politics of representation. Videos (Andrist et al, 2014), 6 feature films (Dowd, 1999;Kennedy et al, 2011;Valdez and Halley, 1999), TV series (Nefes, 2014;Scanlan and Feinberg, 2000) and photos (Earnest and Fish, 2014;Hyde, 2015) have all been used to illustrate sociological ideas or as a springboard for discussion. For example, Dowd (1999) uses feature films to teach students to identify the world view and theoretical perspective implicit in every film, for example essentialist ideas about gender in the Hollywood film A Few Good Men.…”
Section: The Sociomentary: the Vision Of A New Genre Of Visual Sociologymentioning
confidence: 99%
“…It is closely aligned with a 'critical practice' approach towards film (Kydd, 2011) and is the motivation for the project of critical media literacy (Kellner and Share, 2007). Through watching films, students learn how audio and visual, the preverbal, are enlisted in the communication of ideas in film, such as particular ideologies about race (Hall, 1981;Valdez and Halley, 1999). Understanding the politics of representation in film enables students to enlist audio and visuals in the films they themselves make, for their own purposes of knowledge production.…”
Section: The Sociomentary: the Vision Of A New Genre Of Visual Sociologymentioning
confidence: 99%