The IRIS Network of Excellence: Future Directions in Interactive Storytelling

Cavazza, Marc; Champagnat, Ronan; Leonardi, Riccardo

doi:10.1007/978-3-642-10643-9_4

Cited by 17 publications

(12 citation statements)

References 15 publications

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“…Lastly, concerning the future works to be done on the Linear Logic approach, we will incorporate the received results into the IS Engine design of the IRIS Network of Excellence [21].…”

Section: Resultsmentioning

confidence: 99%

Modeling of Interactive Storytelling and Validation of Scenario by Means of Linear Logic

Dang

Champagnat

Augeraud

2010

Interactive Storytelling

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Abstract. Research on Interactive Storytelling has mainly focused on the opposition between a discourse point of view and a character point of view for a story. In this paper, we propose an approach to model Interactive Storytelling using Linear Logic, which is a support for reasoning on both points of view. Then we give an example on an educational game that shows the possibility of validating a scenario of a story, by applying the proof graph of a Linear Logic sequent. Finally we discuss about issues which should be settled and future works to be done on the Linear Logic approach for the IS modeling.

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“…Lastly, concerning the future works to be done on the Linear Logic approach, we will incorporate the received results into the IS Engine design of the IRIS Network of Excellence [21].…”

Section: Resultsmentioning

confidence: 99%

Modeling of Interactive Storytelling and Validation of Scenario by Means of Linear Logic

Dang

Champagnat

Augeraud

2010

Interactive Storytelling

Self Cite

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“…ProppÕs (1968) codification of Russian folktales into thirty-one discrete functions, describes the structural elements of a tale as assigned to its characters, and his analysis continues to have a profound influence on the computational production and theories of interactive narrative (e.g. Nakasone and Ishizuka, 2006;Cavazza et al, 2009;Gerv ‡s, 2013). …”

Section: Blockchain and Blocks Of Storiesmentioning

confidence: 99%

Story Blocks

Maxwell

Speed

Pschetz

2017

Convergence: The International Journal of Research into New Med

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Digital technology is changing, and has changed the ways we create and consume narratives, from moving images and immersive storyworlds to digital longform and multi-branched story experiences. At the same time, blockchain, the technology that underpins cryptocurrencies such as Bitcoin, is revolutionising the way that transactions and exchanges occur. As a globally stored and collaboratively written list of all transactions that have ever taken place within a given system, the blockchain decentralises money and offers a platform for its creative use. There are already examples of blockchain technologies extending beyond the realm of currency, including the decentralisation of domain name servers that are not subject to government takedown, and identity management and governance.By framing key blockchain concepts with past and present storytelling practices, this paper raises questions as to how the principles and implementation of such distributed ledger technologies might be used within contemporary writing practices Ð that is, can we imagine stories as a currency or value system? We present three experiments that draw on some of the fundamental principles of blockchain and Bitcoin, as an instantiation of a blockchain implemented application, namely; 1) the Ledger, 2) the Blocks, and 3) the Mining Process. Each low-fi experiment was intentionally designed to be very accessible to take part in and understand and were conducted as discrete workshops with different sets of participants. Participants included a cohort of design students, technology industry and design professionals, and writing and interaction design academics. Each experiment raised a different set of reflections and subsequent questions on the nature of digital, the linearity (or not) of narratives, and collaborative processes.

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“…The Network of Excellence IRIS (Integrating Research in Interactive Storytelling) [26] provides a study in which several authoring tool of interactive storytelling were compared. Spierling and Szilas [136] bring forward the following two recommendations based on this study which simultaneously illustrate the major challenges faced by interactive storytelling authoring tools:…”

Section: Interactive Storytelling Authoring Toolsmentioning

confidence: 99%

Authoring of Adaptive Single-Player Educational Games

Mehm

2014

PIK - Praxis Der Informationsverarbeitung Und Kommunikation

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The IRIS Network of Excellence: Future Directions in Interactive Storytelling

Cited by 17 publications

References 15 publications

Modeling of Interactive Storytelling and Validation of Scenario by Means of Linear Logic

Modeling of Interactive Storytelling and Validation of Scenario by Means of Linear Logic

Story Blocks

Authoring of Adaptive Single-Player Educational Games

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