Wove paper analysis through texture similarities

Abry, Patrice; Klein, Andrew G.; Messier, Paul; Roux, Stéphane; Ellis, Margaret Holben; Sethares, William A.; Picard, David; Zhai, Yuanhao; Neuhoff, David L.; Wendt, Herwig; Jaffard, Stéphane; Johnson, Roger D.

doi:10.1109/acssc.2016.7869012

Cited by 5 publications

(2 citation statements)

References 14 publications

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“…Whatman paper is a type of wove paper developed by elder James Whatman in the mid-1750 to suit the artistic printing processes [25]; it was developed by using a woven screen. This type of paper is characterized by its smooth and uniform surface [26], which was made from rags and then strengthened by immersing it in a gelatin solution after manufacture [25].…”

Section: Visual Assessmentmentioning

confidence: 99%

Utilizing different analytical techniques to determine the composition of the paper support of historical lithographic plate from Belzoni's Atlas

Mahmoud

Wahba

Marouf

et al. 2022

Advanced Research in Conservation Science

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 Identification of the components of the rare historical papers from Atlas of Belzoni using micro-analytical methods.  The results proved that the historical lithographic plate was printed on wove paper from Whatman paper.  Wove paper is the predominant paper type used for fine art prints.  Compounds such as gelatin, alum, and CaCO 3 can be identified using ATR-FTIR and XRD analyses in historical paper.

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Section: Visual Assessmentmentioning

confidence: 99%

Utilizing different analytical techniques to determine the composition of the paper support of historical lithographic plate from Belzoni's Atlas

Mahmoud

Wahba

Marouf

et al. 2022

Advanced Research in Conservation Science

View full text Add to dashboard Cite

show abstract

“…11 Similar texture analysis for paper classification has been extended to inkjet papers 12 and wove papers. 13…”

Section: Early Twentieth-century Photographic Papermentioning

confidence: 99%

Overlay Videos for Quick and Accurate Watermark Identification, Comparison, and Matching: Creating and Using Overlay Videos

Johnson¹,

Sethares²,

Ellis³

2021

JHNA

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Identifying, comparing, and matching watermarks in pre-machine-made papers has occupied scholars of prints and drawings for some time. One popular but arduous approach is to overlay, either manually or digitally, an image of the watermark in question with its presumed match from a known source. For example, a newly discovered watermark in a Rembrandt print might be compared to a similar one reproduced in Erik Hinterding’s Rembrandt as an Etcher (2006). Such an overlay can confirm the pair as identical, i.e., as moldmates, or reveal their differences. But creating an accurate overlay for two images with different scales, orientations, or resolutions using standard image-manipulation tools can be time consuming and, ultimately, unsuccessful. Part One of this article describes advances in the emerging field of computational art history, specifically the development of digital image processing software, that can be used to semi-automatically create a reliable animated overlay of two watermarks, regardless of their relative “comparability.” Watermarks found in the prints of Rembrandt van Rijn (1606–1669) are used in three case studies to demonstrate the efficacy of user-generated overlay videos. Part Two discusses how searching for identical watermarks, i.e., moldmates, can be enhanced through the application of a new suite of software programs that exploit the data calculated during the creation of user-generated animated overlays. This novel watermark identification procedure allows for rapid, confident watermark searches with minimal user effort, given the existence of a pre-marked library of watermarks. Using a pre-marked library of Foolscap with Five-Pointed Collar watermarks, four case studies present different categories of previously undocumented matches 1) among Rembrandt’s prints; 2) between prints by Rembrandt and another artist, in this case Jan Gillisz van Vliet (1600/10–1668); and 3) between selected Rembrandt prints and contemporaneous Dutch historical documents.

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Art into data | engineering WImBo

Messier

Frank

2018

2018 52nd Annual Conference on Information Sciences and Systems (CISS)

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Wove paper analysis through texture similarities

Cited by 5 publications

References 14 publications

Utilizing different analytical techniques to determine the composition of the paper support of historical lithographic plate from Belzoni's Atlas

Utilizing different analytical techniques to determine the composition of the paper support of historical lithographic plate from Belzoni's Atlas

Overlay Videos for Quick and Accurate Watermark Identification, Comparison, and Matching: Creating and Using Overlay Videos

Art into data | engineering WImBo

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