This study, which examines the relationship between architecture and cinema phenomenologically, focuses on the interaction of the body with the urban space in the context of the representation of space through cinema. The answer to the question of how the audience's who is physically still in the cinema, sight identifies with the space. In this context, the presentation styles of the urban space in the cinema were examined. It has been determined as a hypothesis that the participation of the audience will increase with the recording of the experienced urban space that 'bare fact' from life in the cinema. The sense of sight has a tactual feature and this has been associated with the hypothesis. In this context, the urban and cinematic space experience of the body are examined. As a method, the direct and interrelated meanings of the concepts of body, space, and cinema were explained in the context of movement. Their change in the historical process has been examined. Solutions were sought with the concepts of touch, movement, experience. Urban space experience is explained through examples of "Architecture without Architect". It has been associated with the work of Bernard Tschumi. The cinematic experience was examined through the manifesto and films of director Dziga Vertov. The samples were interpreted with the hermeneutic method. In the research, it has been observed that solutions can be produced in the context of the relationship between architecture and cinema. In order to increase audience participation in cinema, the audience must have acquired a real-life "conciousness" of the space they watch. Ponty refers to it as "experience, memory". This situation enables the audience to perceive and touch the experiential space presented in the cinema beyond sensing it. In daily life, while the body becomes active with the effect of the urban space that allows for experience, the audience becomes identified with the space they watch in cinema.
Özet: Askeri amaçlı olarak kullanılan mühimmatın çok büyük bir kısmı nitro grubu içeren enerjik maddelerden üretilmektedir. Nitro grubunun ısı, ışık ve mikroorganizmalardan etkilenen bir fonksiyonlu grup olması mühimmatların bir raf ömrü olmasına ve ömrünü tamamlamış mühimmatın bertaraf edilmesi problemini ortaya çıkarmaktadır. Günümüzde başvurulan bertaraf yöntemleri enerjik maddenin patlatılması veya yakılması esasına dayanır. Bu yöntemler tedbir alınmış ortamlarda gerçekleştirilmekle birlikte iş güvenliği ve çevre kirliliği açısından risk içerirler. Bu çalışma mühimmat içinde kullanılan enerjik maddelerden 2,4,6-trinitrotoluen, 2,4,6trinitrofenol ve 1,3,5-siklotrimetilentrinitramin bileşiklerinin indirgenme tepkimeleri kullanılarak tehlikesiz materyal haline getirilmeleri üzerine planlanmıştır. Belirtilen enerjik maddeler metalik demir, metalik çinko, sodyumditiyonit, Pd-aktif kömür/hidrazin ve sodyum-cıva amalgamı kullanılarak MeOH:H2O içinde indirgenmişlerdir. İndirgenme ürünleri IR spektroskopi yöntemi ile incelendiğinde, indirgenme ürünleri nitro gruplarının hemen hemen tamamen amino gruplarına indirgendiği tespit edilmiştir. Termogravimetri yöntemi ile indirgenme ürünleri incelendiğinde Fe/HCl ve sodyum-civa amalgamı ile indirgenmiş enerjik maddelerin patlama tehlikelerinin ortadan kalktığı görülmüştür.
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