This study focuses on the great global game of chess of Neoimperialist played in South Asia. It explores that to fetch global capitalist designs, global forces have devised a global Neo-Orientalist game of chess in three perspectives, i.e. economic, cultural and political, for three-level players, i.e. great players, little players and domestic players. The economic ventures urge the need to divide the South Asian Muslims into good and bad categories through neo-orientalist cultural and political gambits, as is revealed from Nadeem Aslam's 'The Blind Man's Garden' (2013) that critiques the hegemony of Neo-imperialist global forces working purely for their global designs in the region. It exposes economic, political, cultural and strategic motives behind two basic goals: the establishment of neo-imperialism through the elimination of borders for neo-liberalist gains by homogenizing world culture; and the eradication of global terrorism for which war has already been launched there.

The demand for CNC machines in educational institutions and industries is rapidly increasing. This paper presents an affordable model of a CNC machine that can engrave the circuit's layout on copper plates. Our emphasis on designing this machine is to model a low cost and robust model of CNC machine for PCB prototyping. This CNC machine is a combination of electro-mechanical design and control circuitry. Because of its user-friendly design, it provides great ease in engraving operation. First, a layout is designed by using a standard PCB designing software. Then the finalized layout is converted into G-code. This code contains axis information which is translated by the firmware of the microcontroller. According to the axis information, the controller drives the mechanical assembly with the accuracy of micrometers. The result shows better performance on various circuits and proved to be a costeffective tool for academia and industry.

This study explores the shattered Pakistani nationalism in Nadeem Aslam's 'The Blind Man's Garden' (2013) in the context of the post-9/11 invading military globalism and reactionary social globalism. Focusing on Nadeem Aslam's hallmark work, 'The Blind Man's Garden' (2013), this article not only explores the current foundationless nationalism of Pakistan as the byproduct of undue chauvinism instead of being the outcome of its real ideology but also stresses the need for renewal of ideological boundaries of Pakistan in the light of current sweeping effects of thick globalism. Being a diaspora and much influenced by the secularity of the host society, Aslam seems to be desirous of featuring the nationalist inscription of home society in accordance with the global world, as is revealed from the roles played by his characters like Mikal etc. in the novel. The study motivates us to revisit the national myths with an aim to devise the marks of nationalism, provided if we are to rehabilitate our national identity.

This study explores the emergence of religious chauvinism in post 9/11 Pakistan in Aslam's 'The Blind Man's Garden'. The rise of chauvinism and militant connotations is not only provenance of great disintegration but also a menace to a prestigious survival of the state, a setback to the moderate majority of Pakistanis that takes pride in their nationality. Some extremist voices, which, no doubt nationalist though they are, yet stigmatize the soft image of Pakistan and Islam due to a harsher stand and their infatuation with blind religiosity. Focusing on Aslam's 'The Blind Man's Garden' (2013), this article argues about how religious seminaries in Pakistan misinterpret religious scripts to distribute hate among the masses to create an 'other' that suits their ideology and politics. The paper argues that fundamentalization in general and institutional radicalization in particular, which through state-controlled mechanisms, are let loose to the extent that they not only control society but also challenge the writ of the state.

Spatiality occupies pivotal status in the thematic orientation of Native American literature. Native American male writers in general and female writers, in particular consider the issues of space and place with reference to issues of identity, separation and conflict with Euro-Americans. The present paper aims to study the portrayal of real and imaginary places in Louise Erdrich's Tracks. The study maintains that Erdrich infuses energy into the places portrayed in the novel. Hence, places do not remain static or flat rather; they assume dynamic characteristics that not only trigger action but also become a character in the development of the plot. The present study concludes that textual and imagined places should not be taken as mere portrayals of topographic structures; rather, they explain the socio-cultural paradigm of a given social order.