Spatiality occupies pivotal status in the thematic orientation of Native American literature. Native American male writers in general and female writers, in particular consider the issues of space and place with reference to issues of identity, separation and conflict with Euro-Americans. The present paper aims to study the portrayal of real and imaginary places in Louise Erdrich's Tracks. The study maintains that Erdrich infuses energy into the places portrayed in the novel. Hence, places do not remain static or flat rather; they assume dynamic characteristics that not only trigger action but also become a character in the development of the plot. The present study concludes that textual and imagined places should not be taken as mere portrayals of topographic structures; rather, they explain the socio-cultural paradigm of a given social order.

With the theory of Moss and Dyck, this study discusses Diane Glancy's The Reason for Crows to understand the insinuations of sensuous geography. This study maintains how in the wake of out-of-place identity within Native American space, Glancy uses sensory experiences as material practices to counter a sense of out-of-placeness. Such multisensory experiences help her native characters locate themselves in both the textual and Native American space. This study explores Diane Glancy's The Reason for Crows not only to find out the reasons due to which the Native Americans develop an acute sense of out-of-placeness within Native American spaces but also the geographies of illness and disability to investigate how Native Americans create and contest their space and place.