Over the past decade, journalists have created in-depth interactive narratives to provide an alternative to the relentless 24hour news cycle. Combining different media forms, such as text, audio, video, and data visualisation with the interactive possibilities of digital media, these narratives involve users in the narrative in new ways. In journalism studies, the convergence of different media forms in this manner has gained significant attention. However, interactivity as part of this form has been left underappreciated. In this study, we scrutinise how navigational structure, expressed as navigational cues, shapes user agency in their individual explorations of the narrative. By approaching interactive narratives as story spaces with unique interactive architectures, in this article, we reconstruct the architecture of five Dutch interactive narratives using the walkthrough method. We find that the extensiveness of the interactive architectures can be described on a continuum between closed and open navigational structures that predetermine and thus shape users' trajectories in diverse ways.
tThis article studies the policy of the Dutch government regarding the introduction of HDTV in the Netherlands. Utilizing a literature study and interviews with government officials, it shows that government choices are not always in line with the official neo-liberal policy, but are
partly based on non-ideological,pragmatic or organizational factors. The findings of this case study challenge the presumption that policy choices made by government officials are based on rational and strategic considerations.
It is our great pleasure to present this special issue of VIEW Journal of European Television and Culture in honour of Sonja de Leeuw, one of the founding members of the journal. The issue brings together articles that honour Sonja’s inspiring contributions to television history and television historiography.
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