Indonesia's maritime triumph from history to being written in a song lyric is not a question, especially its reliability in making Pinisi boats whose processes are full of local wisdom and cultural values reflected in everyday life. The research conducted in Bira Village, Bontobahari Sub-district, Bulukumba District in May 2018 aims to examine the rationalism of making pinisi boats with Weber's perspective approach. The aim is to use qualitative methods with Weber's approach in the verstehen perspective. The findings show that the making of the Pinisi boat is still filled with mystical nuances of religion ranging from the determination of the day of manufacture to its launch in the sea even though the elements of modernization began to come in to streamline time and streamline costs as a form of rationality in acting, as in Weber's perspective, zwerk rational, werk rational, affectual action, and traditional actions
The main of this article to be expressed are Cultural Values and the Religiosity Behind the Skills (Kepanritaan) of Pinisi Boat Making in a very well-known community of boat makers in Ara, Bira and Tanalemo Villages, Bontobahari District, Bulukumba Regency, South Sulawesi. This research uses the verstehen method (Weber in Ritzer and Goodman, 2004 and Kaelan, 2005) on Pinisi Boat Making Activities and Changes from the beginning to the era of shipping modernization. The data was collected by combining comprehensive data collection techniques (observation, in-depth interviews, documentation, and triangulation: Sugiyono, 2007) and analyzed using interpretive post positivistic qualitative descriptive analysis method (with systemic complementary analysis procedures: Data Collection), Grouping, Categorization, and Discarding Insignificant Data (Data Reduction), Mapping Data on Causality between Data Categorization, and Conclusion: Miles and Huberman, 1995). The results of the research show that the professionalism in making pinisi boats is built on the basis of assessment with the underlying occult values. A cultural value that tends to be ecologically oriented in the sense of keeping the relationship harmonious with the natural ruler in a magical way. These values tend to weaken amid the development of shipping modernization and the development of the boat-making industry.
The focus of this research was to explore the Sando Batu indigenous community who live in harmony with nature. This study aimed to describe the cultural values orientation of the community. The study used a phenomenological approach by combining three methods of data collection, namely interviews, participant observation, and documentation. The theoretical framework used was Kluckhon value orientation which was widely used. The study was carry out on hamlet of Wala-wala of Pitu Riase Subdistrict of Sidenreng Rappang district where this community settle. The informants in this study consisted of seven people who were determinedby snowball sampling technique. The first informant was selected purposively namely the former head of the village and then the rest of informants were selected by snowball technique. The data were analyzed by using Interpretative Phenomenological Analysis (IPA). The results showed that the cultural values orientation of indigenous communities Sando Batu believes that life is difficult but must still be fought, the work is for survival, oriented to the future, harmony with nature, and relationship with one another was horizontal relationship.
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