Resumo: Ao problematizar o patrimônio histórico das Missões Indígenas-Jesuíticas (1609-1750) a partir de preocupações teórico-metodológicas relacionadas aos estudos de gênero e patrimônio, este artigo discute: a) representações sobre mulheres indígenas presentes na documentação histórica gerada pelos jesuítas; b) ressignificação dos espaços femininos em sítios arqueológicos atualmente abertos à visitação, tal qual o Sítio Arqueológico de São Miguel Arcanjo; c) questões surgidas a partir da relação entre gênero e história indígena, em especial quando aplicadas aos acervos dos museus dedicados às Missões. Pretende-se, com isso, demonstrar a possibilidade de se entender o patrimônio relacionado às Missões vinculado às mulheres indígenas.
Resumo: A partir da atual conjuntura fóbica do Paraguai em relação à diversidade sexual e da abordagem Queer Indigenous Studies, neste artigo, analiso a produção de corpos indígenas abjetos, como o das “machorras” e dos “afeminados”, no interior das Missões Indígeno-Jesuíticas (sécs. XVII-XVIII).
This study seeks an overall view of the memory of the LGBT community (lesbian, gay, bisexual, transgender) in museums and community initiatives, the project LGBT memory mapping and analyzes the main existing shares in Europe, the Americas, Africa, Asia and Oceania. Through technical visits, interviews, non-directive (attendance or virtual), the magazine LGBT Memory publications, bibliographical researches and queries to official sites, mapping aims to indicate the limits and possibilities that are presented to museological field by including a minority present in every continent but still forgotten. This museological invisibility, favors forgetfulness and consequently strengthens phobias of sexual orientation and gender identity. By analyzing the preservation techniques, the exhibition content of each mapped proposal and its absence in large territories, looking to indicate strategies found in
building a global LGBT memory, questioning, therefore, the democratization of memory and manifest content in museums, community initiatives or museological policies interested in winning civil rights and overcoming phobias to sexual / emotional diversity.
Keywords: LGBT, Diversity, Social Museology
Viviane Conceição Rodrigues is an important Brazilian organic intellectual. Born in 1982
on the outskirts of Maceió, it became part of a series of networked cultural articulations and was fundamental element in the founding of the Peripheral Culture Museum, one of the 12 Memory Spots Pioneers, headquartered in the Jacintinho neighborhood. An award-winning Afro-entrepreneur, she has a degree in Public Relations from the Federal University of Alagoas (UFAL, 2008) and Master from the Universidad Pablo de Olavid (2020), in Spain. His personal trajectory mixes with the trajectory of Brazilian comunity museums, spreading out in territories far beyond the geographic, having participated in the constitution of a set of public policies for the field of Museology in Brazil. In an interview granted to us, generous, affectionate and patient, shared fundamental aspects for thinking Sociomuseology through the hands of those who live on the border between academia and social militancy, in a constant flux between putting into practice in favor of the community the most complex popular and scientific reflections in a way connected.
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