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Working from assumptions that inequality is often spatially informed, a set of interactive cartographies has recently proliferated on Google Earth. In this essay, I analyze one of these interactive cartographies: the World is Witness, produced by the United States Holocaust Memorial Museum (USHMM). I read the map as an organizational rhetoric that frames place as “embedded injustice.” I also argue that thorough analysis of the framing of local place on Google Earth must inherently question whether the map can create a disruption in the viewing subject. While the map presents vital information on excruciatingly despicable acts of injustice, and the USHMM should be praised for its actions, it reinforces and is reinforced by the politics of viewing on Google Earth.

In 2010-2011, the Nebraska History Museum featured two temporary exhibits: "We the People: the Nebraskan Viewpoint" and "Willa Cather: A Matter of Appearances." We argue the public memories of Brandon Teena and Willa Cather contained in the exhibits are distanced from regional politics when articulated alongside the nostalgic regionalist rhetoric of the Nebraska History Museum. Specifically, both exhibits not only discipline the memory of trans* performance within problematic material and symbolic contexts, but also place these memories within a rhetoric of regional optimism that has critical consequences for restricting counter-public formation. In performing this reading, the essay argues that critical regionalism has the potential to offer a nuanced perspective on the geopolitical dimensions of memory places by exploring understandings of the relationship between "local" and "national" commemoration at these sites.

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