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This paper discusses the positionality of English in South Korea as a form of symbolic capital that represents the discursive power of Americanism and East Asian Social Darwinism. By employing Bourdieu's and Foucault's theoretical orientations, this paper traces how South Korean linguistic policies to incorporate English loan words coincide with South Korea's struggle to face its historical challenges from a pre-modern to a modern postcolonial society. In doing so, this paper illustrates how Americanization is conceived as the process of winning global competition where only the 'survival of the fittest' reigns (a Social Darwinist discourse that justifies the power of Americanism).

This article outlines a theory of re-collection as a means of enhancing and enriching the study of collective memory. Re-collection seeks to generate insights into two underdeveloped threads of collective memory research: (a) its processual and dynamic nature and (b) its largely emplaced character. In particular, this article argues that places of memory are not finished texts, but sites of re-collection in which individuals and groups selectively cull and organize re-collected versions of the past. Grounded in Michael McGee's concept of rhetorical fragments, the theory of re-collection involves attending to discursive fragments of memory that circulate within and around the memory site-as well as the fragments brought to the site by individuals and collectives. Re-collection thus requires analytical tools beyond those traditionally used in rhetorical criticism-as is illustrated in a case study proposal for exploring the process of re-collection surrounding the Space Window in Washington National Cathedral.

/ The present article analyzes the popularity of Winter Sonata (a South Korean television series) among Japanese audiences, especially among middle-aged women, and the impact of the accompanying hanryu phenomenon (the current fad for every aspect of South Korean popular culture) on Japanese society. Various types of primary and archival data were collected including indepth qualitative interview surveys from 33 female Japanese viewers of Winter Sonata. The interpretive analysis of the data reveals the reasons for Winter Sonata's popularity in Japan, and how this television drama and the hanryu phenomenon have influenced Japanese perceptions of Korean residents living in Japan, South Koreans and North Koreans. In light of the troubled historical relationship between Japan and Korea (given Japan had colonized the Korean peninsula for several decades), the impact of Winter Sonata and the hanryu phenomenon is especially noteworthy.

/ In the past few years, the popularity of Korean television dramas, songs and movies has skyrocketed in countries of North and Southeast Asia. This huge wave of Korean pop culture is referred to as the Hanryu (the Korean wave). One of the most significant trendsetters of the Hanryu was the Korean television drama Winter Sonata, which was remarkably popular in every Asian country where it was broadcast. The present article investigates the perception of Japanese audience members toward Winter Sonata's narrative and how this perception influenced their buying behavior of Winter Sonata memorabilia, such as clothing, cosmetics, DVDs/CDs of the program, trips to Korea and the like. Employing both qualitative and quantitative methods, this study finds that the popularity of the drama was generated by Japanese audiences' engagement with its narrative. Further, the audience perception of the narrative's quality was found to predict whether or not they purchased a Winter Sonata product.