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Our research uses the concept of “territories” to describe the production of migrant space. The article describes a project based in London where the everyday practice of walking is used to map migrant territories, which are conceptualized as dispersed and overlapping, causing topological deformations to the actual lived space. We interrogate these deformations through focusing on the micro-scale and the everyday, mapping them as “scapes” and “spheres.” Using specific computational techniques, we transform the original walks into an architectural tool for investigating the fluctuations and flows of the contemporary city. In doing so, we approach territories from two distinct angles: from the geopolitical perspective of territories seen as the product of the interplay of politics, power, and space and from the biological perspective of territories seen as the primal need of all animals, including humans, for space and a certain distinction from their environment and from others.

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This article explores some of the geographies of crisis and conflict that have become increasingly visible through the use of digital technologies. It attends to the visual politics embedded within such images, whether these are photographs and videos shared through social media or maps produced on platforms such as Google Earth. It also discusses recent practices of spatial analysis that use a forensic approach. Through focusing on the Pakistani city of Gwadar in the restive Balochistan province, my aim is to reveal the complex layered narrative that emerges out of and about such a place through processes of visualization. Gwadar oscillates between an anticipated role as a strategic regional port and the present reality of being positioned at the periphery. By working through these narratives, I explore what type of ethical spatial engagement is possible with such places that are often constructed as out-of-bounds by governments and nonstate actors.

The 'Border Topologies' themed section draws a series of texts that explore what design and artistic research could contribute to an understanding of border conditions in a context of rising inequalities, conflict and climate change. The common aim of the articles is to interrogate contemporary borders through the practices that produce them by focusing on how the border appears and reappears at different scales, in unexpected places and configurations. In doing so some of the articles collected here insist upon a planetary scale that questions the geopolitical as an organising construct.