When the #MeToo movement exploded onto social media in October 2017, it dramatically ruptured public consciousness in revealing the widespread nature of sexual harassment and violence around the world. Yet, despite the global attention afforded to #MeToo, it was preceded by numerous initiatives, which we argue created digital footprints instrumental in rendering #MeToo intelligible. As such, the aim of this article is two-fold. Firstly, it offers the first attempt to map a diverse range of initiatives which have mobilized to fight sexual violence, and in doing so, makes visible the global genealogy of digital feminist activism responding to sexualised violence. Secondly, building on these digital footprints and looking towards the future of digital feminist activism, the article demonstrates the power and potential of initiatives that expose the structural conditions enabling sexual violence to occur through the collective sharing of experiences across cybernetworks via processes of "ethical witnessing." We conclude by advocating for greater recognition of those voices and experiences that feminist scholars and activists alike continue to fail to witness, and call for greater efforts to archive the genealogy of digital feminist mobilisation in order to capture the complexity and diversity of its past, present and future.

This article examines digital activism on Twitter against gender-based violence with regard to the March 8, 2017, feminist movement in Spain (8M). We explore a sample of 20,000 messages (tweets, retweets, and mentions) of the most commonly utilized hashtags in this context, such as #8M and # NiUnaMenos (Not one less [woman]). We analyze if, in the case of 8M in Spain, digital feminist activism constituted a challenge to the hegemonic frames of representation of gender-based violence. Using the concept of “ethical testimony,”, we demonstrate the opportunity that giving testimony on gender-based violence offers to digital feminist activism to act in an effective, political manner on Twitter, circumventing invisibility. These hashtags do not form strong conversational communities but rather serve to diffuse messages at a mass scale. Within these conversational communities, the term “victim” is rarely utilized, which we interpret as an accomplishment of women as agents capable of resisting their position of vulnerability.

No abstract

This article examines the relationships between gender and technology in Spanish feminist praxis online and argues that different perspectives on online feminist community-building offer distinct responses to cyberactivism, which is considered central to sustaining efforts for social change. To ascertain whether Spanish virtual communities and cyberactivism have the potential to address the challenges posed by the relations between gender and technology, we analyse feminist scholar Remedios Zafra's theoretical proposals, and the different ways in which this theory intersects with the cyberactivism put forth by two feminist web portals, Ciudad de Mujeres and Mujeres en Red. We will discuss to what degree particular Spanish feminist theory and practice online adapts to or challenges utopianism regarding the liberating potential of technology. We will also examine how, in the face of critical arguments about such liberatory possibilities, two options present themselves for women's effective use of technology: inhabiting or occupying the web through the construction of feminist communities online.

This article analyzes the construction of female subjectivity in the specific context of audiovisual cyberspaces in Spain dedicated to the struggle against violence against women. Looking at the YouTube channels of two virtual feminist communities that deal with violence against women, the authors analyze how the victim-subject is configured in terms of agency and activism. The authors adopt a multimodal model of studying the sign complexes of the videos as semiotic artifacts that produce meaning. Sign complexes are always engaged because representation is never neutral because what is represented in sign is meant to realize the values and positions of those who make the sign. In this article, the authors understand feminist activism in the fight against violence targeting women as constructing in its discourse not only the activist process, but also the subject of this activism: the victim-subject of gender-based violence. The analysis engages in the discussion about the various ways in which this subject is interpellated by the audiovisual texts in terms of agency. As a result, this study proposes the necessity to devise new ways of articulating this subject as a political and agential one.