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We construct a family of barycentric coordinates for 2D shapes including non‐convex shapes, shapes with boundaries, and skeletons. Furthermore, we extend these coordinates to 3D and arbitrary dimension. Our approach modifies the construction of the Floater‐Hormann‐Kós family of barycentric coordinates for 2D convex shapes. We show why such coordinates are restricted to convex shapes and show how to modify these coordinates to extend to discrete manifolds of co‐dimension 1 whose boundaries are composed of simplicial facets. Our coordinates are well‐defined everywhere (no poles) and easy to evaluate. While our construction is widely applicable to many domains, we show several examples related to image and mesh deformation.

We present a method for constructing almost-everywhere curvature-continuous, piecewise-quadratic curves that interpolate a list of control points and have local maxima of curvature only at the control points. Our premise is that salient features of the curve should occur only at control points to avoid the creation of features unintended by the artist. While many artists prefer to use interpolated control points, the creation of artifacts, such as loops and cusps, away from control points has limited the use of these types of curves. By enforcing the maximum curvature property, loops and cusps cannot be created unless the artist intends for them to be. To create such curves, we focus on piecewise quadratic curves, which can have only one maximum curvature point. We provide a simple, iterative optimization that creates quadratic curves, one per interior control point, that meet with G 2 continuity everywhere except at inflection points of the curve where the curves are G 1 . Despite the nonlinear nature of curvature, our curves only obtain local maxima of the absolute value of curvature only at interpolated control points.

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