Anales del teatro sevillano: Juan Jerónimo Valenciano y su repertorio teatral (1624-1625)

Alonso de Castillo Solórzano, prolific cultivator of the novelistic genre, gathered and published his work in miscellaneous volumes or colectáneas all along the XVII century. In these volumes, mainly formed by novels assembled in a narrative framework, dramatic pieces appear from time to time. This is the case of Fiestas del Jardín (1634), which alternates four plays written in prose and three comedies. We know about the last ones that they were brought to the stage by renowned authors of the time. However, the date of their composition remains unknown as well as the circumstances in which they were staged. It is our goal to shed light on these questions following the study of La fantasma de Valencia, one of the three aforementioned comedies.

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¡Fuego suena en partes varias! Una convención dramática áurea, la escena de incendio

Martínez¹

2020

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Anales del teatro sevillano: Juan Jerónimo Valenciano y su repertorio teatral (1624-1625)

Cited by 3 publications

References 1 publication

Deconstructing the Authorship of Siempre ayuda la verdad: A Play by Lope de Vega?

Deconstructing the Authorship of Siempre ayuda la verdad: A Play by Lope de Vega?

La fantasma de Valencia y las comedias de Fiestas del jardín de Alonso de Castillo Solórzano: hipótesis de datación y circunstancias de representación

¡Fuego suena en partes varias! Una convención dramática áurea, la escena de incendio

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