“…Issue Impact Slow regeneration of craftsmen (Wardani, 2015) Decreasing the number of artisans from time to time Differences in the value of each craftsman (Bahruddin & Nugraha, 2013) Batik as ancestral heritage Batik in the context of the era Batik appreciation is only a formality (Bahruddin & Nugraha, 2013) Lack of understanding the value, meaning and production process Art, complicated, manual and non-standard processes (Widayati, 2013) Work with heart, long processes, and expensive Equipment and work environment that is not ergonomic (I. K. Tjahjani et al, 2017) Productivity, muscle fatigue, and occupational diseases Changes and development of motives (Ramelan, 2008) The shorter design cycle and the diverse desires of consumers (Shanti & Ratyaningrum, 2016). Don't understand the patent (Nurainun, Heriyana, & Rasyimah, 2008) The location of artisans and production results (Bahruddin & Nugraha, 2013) Not yet able to be used as the main livelihood Management, production administration, catalogs, supervision of production results, and marketing methods (I. K. Tjahjani et al, 2017) Inaccurate preparation, business process planning, marketing coverage, sales turnover, and competitiveness Capital, market access, raw materials, labor & technological mastery (Pawitan, 2012) Low efficiency (inefficiency), quality, and product competitiveness (Mizar, Mawardi, Maksum, & Rahardjo, 2008) Technology mismatches in terms of capacity, quality and sustainability (Marshal, 2012) In addition to these problems, currently making batik waste also becomes a focus, because it produces three waste at once, namely: 1). Liquid waste from washing, coloring, chloride, dyeing, and fixing fixanol (Rochma & Titah, 2017); (Kurniawan, Purwanto, & Sudarno, 2014).…”