Grey Simulative Effect Digital Jacquard Fabric Design with Full-Color Compound Structure

Zhou, Jiu; Tang, Lan Qian; Hu, Ding Ting

doi:10.4028/www.scientific.net/amr.332-334.663

Cited by 1 publication

(1 citation statement)

References 4 publications

Supporting

Mentioning

Contrasting

Order By: Relevance

“…Once a definite number of interweaving points were added, the transformed shape of a shaded structure generated different levels of lightness in weaving forms. 13 Figure 5 shows examples of conceivable shaded weaves in a 16 Â 16 form with sub-multiple numbers, and Table 1 shows details of each circumstance, where E is the number of enhancing interlacements each time and WR is the respective weave repeat.…”

Section: Structural Weave Designmentioning

confidence: 99%

Patterning technique for expanding color variety of Jacquard fabrics in alignment with shaded weave structures

Kim

et al. 2014

Textile Research Journal

Self Cite

View full text Add to dashboard Cite

This study aimed to enhance the capability of multiple weave color reproduction for Jacquard textiles. Today, the subtractive color mixing of CMYK color system is being widely used for rendering weave patterns and assorting filling yarn colors. However, as Jacquard color creation involves optical color mixing, the direct application of pigment mixing is limited to corresponding to an artwork that involves red, green, blue and saturated solid black. Since Jacquard colors are realized by opaque and non-blended material of yarns, it requires a different approach of light and pigment mixing to simulate colors of an original image in woven forms. Therefore, in this study, the optimization of weave color reproduction was approached to properly embrace the proposed color gamut of the CMYK model in digital Jacquard textiles. Based on the ink densities of the CMYK color scope, segmentation was applied in reflection of optical thread color mixing to attain optimal weave patterns. A pair of primary color layers was merged by defining a set of rules to classify individual primary and secondary color patterns to designate colored threads in associated regions, and weave structures were designed and aligned to generate varied levels of color shades in weaving form. The correlation between shaded weave structures and the primary color-based weave patterns were matched to present a faithful color reproduction in weaving.

show abstract

Section: Structural Weave Designmentioning

confidence: 99%