Hijabers: How young urban muslim women redefine themselves in Indonesia

Beta, Annisa R.

doi:10.1177/1748048514524103

Cited by 63 publications

(36 citation statements)

References 18 publications

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“…According to Ghani in Hassan, this is caused by the development of fashion Muslim media, blogs, designer, and retailer [4]. Beta said that the use of veil in Indonesia is completely fashionable as the effect of trend fashion promoted by the fashion designer like Dian Pelangi [2]. Barnard asserted that veil symbolizes the life style of modernity in the religious [1].…”

Section: Introductionmentioning

confidence: 99%

The Representation of Islam Identity on the Commercial TV’s Advertisements

Rosida¹,

Wulansari²

2018

Proceedings of the International Conference on Culture and Language in Southeast Asia (ICCLAS 2017)

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Section: Introductionmentioning

confidence: 99%

The Representation of Islam Identity on the Commercial TV’s Advertisements

Rosida¹,

Wulansari²

2018

Proceedings of the International Conference on Culture and Language in Southeast Asia (ICCLAS 2017)

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“…Terkait dengan manajemen pemasaran produk, dewasa ini industri kreatif Indonesia didominasi oleh e-commerce market (Beta, 2014), seperti Tokopedia, BliBli, Lazada, dan lain sebagainya. Ada juga yang memanfaatkan laman Instagram atau Facebook.…”

Section: Pendahuluanunclassified

Pemanfaatan Limbah Bahan Tekstil Menjadi Alat Permainan Edukatif Anak Usia Dini

Yanthi

Yuliariatiningsih

Hidayah

et al. 2020

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Limbah benang di sentra industri rajut Binong Hati memiliki potensi ekonomis, di antaranya untuk dibuat alat permainan edukatif di PAUD. Kegiatan pengabdian kepada masyarakat ini bertujuan untuk mengembangkan kreativitas dan inovasi para ibu rumah tangga dalam membuat alat permainan edukatif thematic busy books. Metode yang dilaksanakan adalah kaji tindak melibatkan pelatihan dan pendampingan produksi thematic busy books. Kegiatan dilaksanakan mengikuti tahapan perencanaan, pelaksanaan, monitoring, evaluasi dan tindak lanjut. Kelompok sasaran terdiri atas enam orang ibu rumah tangga yang berdomisili di Kelurahan Binong. Hasil kegiatan menunjukkan bahwa tingkat pendidikan para ibu rumah tangga menjadi faktor utama kurangnya tingkat kreativitas dan inovasi produk thematic busy books. Selama proses pendampingan, kelompok sasaran mengalami kesulitan terutama dalam menentukan konten kegiatan dalam buku relevan dengan Kurikulum 2013 PAUD dan mendesain pola. Program pelatihan dan berkelanjutan bagi kelompok sasaran dapat memperkuat stabilitas usaha para ibu rumah tangga di bidang produksi thematic busy books di masa mendatang.

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“…In the 1980s, veiling served as a sign of opposition to the authoritarian New Order regime, which was determined to quash the growth of political Islam. But after the Suharto regime relaxed restrictions on political Islam in the 1990s, and as the consumer economy began to expand, notions of consumer choice began to infuse veiling practices, rendering veiling a sign of the individual transfor-mation consumerism makes possible (Beta, 2014(Beta, , 2016Bucar, 2016;Jones, 2010Jones, , 2017 In the Indonesian context, then, hijab-wearing needs to be understood as a socially progressive move linked to women's increasing visibility with the expansion of consumer culture, rather than a socially conservative move aimed at preserving long-standing notions of Muslim femininity. As Slama and Barendregt (2018) point out, many young Southeast Asians are opting "to live 'the modern life' religiously and often in ways more orthodox than their parents or grandparents would have done only one or two generations before them" (p. 4).…”

Section: Introductionmentioning

confidence: 99%

Hijabers on Instagram: Using Visual Social Media to Construct the Ideal Muslim Woman

Pramiyanti¹,

Baulch²

2018

SSRN Journal

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This article studies uses of Instagram by members of Indonesia's Hijabers' Community. It shows how hijabers employ Instagram as a stage for performing middle-classness, but also for dakwah ("the call, invitation or challenge to Islam"), which they consider one of their primary tasks as Muslims. By enfolding the taking and sharing of images of Muslimah bodies on Instagram into this Quranic imperative, the hijabers shape an Islamic-themed bodily esthetic for middle class women, and at the same time present this bodily esthetic as a form of Islamic knowledge. The article extends work on influencer culture on Instagram, which has considered how and whether women exert control over their bodies in post-feminist performances of female entrepreneurship and consumer choice on social media. In it, we argue that examining the "enframement" of hijaberness on Instagram show it to be both a Muslim variant of post-feminist performances on social media, and a female variant of electronically-mediated Muslim preaching. That is, hijabers' performances of veiled femininity structure and are structured by two distinct fields-a dynamic global digital culture and a changing field of Islamic communicationand point to a "composite habitus," similar to that identified by Waltorp.

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Hijabers: How young urban muslim women redefine themselves in Indonesia

Cited by 63 publications

References 18 publications

The Representation of Islam Identity on the Commercial TV’s Advertisements

The Representation of Islam Identity on the Commercial TV’s Advertisements

Pemanfaatan Limbah Bahan Tekstil Menjadi Alat Permainan Edukatif Anak Usia Dini

Hijabers on Instagram: Using Visual Social Media to Construct the Ideal Muslim Woman

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