Proceedings of the 2009 International Conference on Multimodal Interfaces 2009
DOI: 10.1145/1647314.1647382
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Mapping information to audio and tactile icons

Abstract: We report the results of a study focusing on the meanings that can be conveyed by audio and tactile icons. Our research considers the following question: how can audio and tactile icons be designed to optimise congruence between crossmodal feedback and the type of information this feedback is intended to convey? For example, if we have a set of system warnings, confirmations, progress updates and errors: what audio and tactile representations best match the information or type of message? Is one modality more … Show more

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Cited by 37 publications
(36 citation statements)
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“…A C2 Tactor from Engineering Acoustics 2 was used for the tactile stimuli, a common device in studies of tactile feedback, e.g. [15,16]. Tactile stimuli had a constant frequency of 250 Hz, the nominal centre frequency of the C2 -the frequency at which the skin is most sensitive.…”
Section: Warning Designmentioning
confidence: 99%
“…A C2 Tactor from Engineering Acoustics 2 was used for the tactile stimuli, a common device in studies of tactile feedback, e.g. [15,16]. Tactile stimuli had a constant frequency of 250 Hz, the nominal centre frequency of the C2 -the frequency at which the skin is most sensitive.…”
Section: Warning Designmentioning
confidence: 99%
“…Past research on haptic icon design, summarized in [27], provides a start for finding salient yet unintrusive tactile mappings for cues. Icons for progress updates, errors, and warnings provide insights for presentation cues [15,44]. Signal perception, usually vibrotactile and on the fingertips, has been examined as a function of intensity [19], duration [44], and tempo and rhythm [12,44].…”
Section: Tactile Perception: Body Locale and Iconographymentioning
confidence: 99%
“…Consider how the perceived urgency of identical warning sounds may be different depending on whether it indicates a low battery warning of a mobile phone, or a problem with a heart rate monitoring system. See Hoggan et al (2009) for an example on contextual differences in mapping audio parameters to informing signals by user interfaces (i.e., confirmations, errors, progress updates, warnings). Furthermore, product sounds are always part of a larger auditory environment.…”
Section: Functions Of Intentional Soundmentioning
confidence: 99%
“…As discussed before, the abstract mapping of earcons must be learned, as there is no semantic link between the sounds and the data they represent. Differentiation is commonly found in terms of pitch, rhythm, timbre, spatial location, duration, and tempo (Hoggan et al 2009). A second class of intentional sounds are auditory icons.…”
Section: Classes Of Intentional Soundmentioning
confidence: 99%