2017
DOI: 10.15294/harmonia.v16i2.7514
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The Impact of Tayub Exploitation on The Tradition and Life of Javanese Society

Abstract: This study is aiming at finding out the impact of Tayub exploitation on the tradition and life of Javanese society. Research approach implemented in this study was qualitative. In addition, the research technique employed was interview, observation, documentation, and literary study. Results show that the new form of Tayub diminishes the structure of feminism, neglects simplicity, gentleness and spontaneity that are supposed to be part of Tayub dance. The movement of dance, music, and costume are also changed … Show more

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Cited by 6 publications
(6 citation statements)
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“…This dance is carried out in conjunction with the Karo traditional ceremony. This ceremony is celebrated once a year at Purnama Sasih Karo, based on the calculation of the Saka Year (Noordiana et al, 2017). This dance begins with a sodor dancer from the elders commonly called mblara'i.…”
Section: Resultsmentioning
confidence: 99%
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“…This dance is carried out in conjunction with the Karo traditional ceremony. This ceremony is celebrated once a year at Purnama Sasih Karo, based on the calculation of the Saka Year (Noordiana et al, 2017). This dance begins with a sodor dancer from the elders commonly called mblara'i.…”
Section: Resultsmentioning
confidence: 99%
“…Sodoran dance has a deep meaning of good norms, values, and beliefs. This dance not only evokes creativity and aesthetics but also strengthens the awareness of norms and virtues (Noordiana et al, 2017).…”
Section: Introductionmentioning
confidence: 92%
“…Javanese people are very obedient to ancestral traditions (Noordiana, Juwariyah, & Inda, 2016). According to Jatman (1997), wong Jowo iku nggone roso (Javanese are the place to feel) which means that the Javanese personality is almost completely social, whose hierarchy of values is stated by Mulder, (1977) that Javanese people are subject to society, on the other hand society is subject to higher and subtle forces that culminate in God.…”
Section: Introductionmentioning
confidence: 99%
“…Although from the beginning, tayub was the art of the palace, in its development it had to go out and be degraded into the art of the people, which was increasingly viewed from the side of its pervert, low quality, and tendency to prostitution. Prof. Dr. Suripan Sadi Hutomo (late), philologist and humanist folklore, once described that at a lower level of folk art, tayuban undergoes a change [1][2][3][4].…”
Section: Introductionmentioning
confidence: 99%