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This study aims to describe creative dance learning at RA Nurul Huda Bandung City. This research uses a qualitative approach with a descriptive analysis method. The subjects of this study were students, school principals, and educator’s RA Nurul Huda, Bandung City. Collecting data by observation, interviews, and documentation. The data analysis used refers to the Milles and Huberman model. While the validity test was done by triangulating techniques and sources. The results of the study can be described that learning creative dance at RA Nurul Huda includes developing themes in the core activities of the learning process. The process of learning creative dance at RA Nurul Huda includes: initial, core and closing activities. The initial activity contains brainstorming, prayers, and reading short letters. This activity contains an explanation of the theme and dancing according to the theme. The closing activity contains evaluation of creative dance activities.

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Pancasila has critical, fundamental, rational, systematic, comprehensive thoughts and eventually this system is a value. Pancasila provides fundamental and universal foundations for human beings in social, national, and state. Thus, through the philosophical values of Pancasila, the development of science education is expected to make it as main reference to national education system, which takes place as way to achieve goals and national objectives. The method in this paper is descriptive analytical. The data entered is the most relevant and primary related to the study of Pancasila and education science, then analysis is carried out to produce an ideas. The results demonstrate that educational philosophy of Pancasila as the spirit of national education system should actually lived as source of values and reference to planning the development of science education in Indonesia, both theoretically and practically. Keywords: Educational Philosophy; Science Education; Pancasila; Values.

Tulisan ini bertujuan untuk mengungkapkan dan menjelaskan bagaimana peranan tari dalam perspektif gender dan budaya. Tulisan ini berangkat dari sebuah permasalahan yakni masih adanya pandangan stereotype gender tentang tari dalam pandangan masyarakat sosial. Pemahaman mengenai tari dalam sudut pandang masyarakat sosial masih menimbulkan pro dan kontra. Hal tersebut dikarenakan masih kurangnya rasa ingin tahu serta pemahaman terhadap tari itu sendiri, sehingga masih banyak yang menganggap bahwa tari hanya dapat ditarikan oleh wanita saja. Tari merupakan sebuah gejolak ekspresi manusia yang dituangkan ke dalam gerak ritmis yang indah, yang dapat ditarikan baik oleh laki-laki maupun perempuan. Dalam sebuah tarian memiliki tujuan dan fungsinya masingmasing. Penelitian ini menggunakan pendekatan kualitatif dengan metode penelitian studi literatur. Analisis data menggunakan metode deskriptif analisis dengan tujuan untuk mendapatkan sebuah analisis dari permasalahan yang diusung. Penelitian ini menghasilkan sebuah analisis yakni tarian adalah suatu kegiatan yang dilakukan dengan tidak memandang gender.