We present an algorithm for marker-less performance capture of interacting humans using only three hand-held Kinect cameras. Our method reconstructs human skeletal poses, deforming surface geometry and camera poses for every time step of the depth video. Skeletal configurations and camera poses are found by solving a joint energy minimization problem which optimizes the alignment of RGBZ data from all cameras, as well as the alignment of human shape templates to the Kinect data. The energy function is based on a combination of geometric correspondence finding, implicit scene segmentation, and correspondence finding using image features. Only the combination of geometric and photometric correspondences and the integration of human pose and camera pose estimation enables reliable performance capture with only three sensors. As opposed to previous performance capture methods, our algorithm succeeds on general uncontrolled indoor scenes with potentially dynamic background, and it succeeds even if the cameras are moving.

Figure 1: We propose a novel method for intrinsic video decomposition, which exhibits excellent temporal coherence. Additionally, we show a varied number of related applications such as video segmentation, color transfer, stylization, recolorization, and material editing (the last three included in this image). Please refer to the accompanying video for these and all the other results shown in the paper. AbstractWe present a method to decompose a video into its intrinsic components of reflectance and shading, plus a number of related example applications in video editing such as segmentation, stylization, material editing, recolorization and color transfer. Intrinsic decomposition is an ill-posed problem, which becomes even more challenging in the case of video due to the need for temporal coherence and the potentially large memory requirements of a global approach. Additionally, user interaction should be kept to a minimum in order to ensure efficiency. We propose a probabilistic approach, formulating a Bayesian Maximum a Posteriori problem to drive the propagation of clustered reflectance values from the first frame, and defining additional constraints as priors on the reflectance and shading. We explicitly leverage temporal information in the video by building a causal-anticausal, coarse-to-fine iterative scheme, and by relying on optical flow information. We impose no restrictions on the input video, and show examples representing a varied range of difficult cases. Our method is the first one designed explicitly for video; moreover, it naturally ensures temporal consistency, and compares favorably against the state of the art in this regard.

With a wide range of applications in product design and optical watermarking, computational BxDF display has become an emerging trend in the graphics community. In this paper, we analyze the design space of BxDF displays and show that existing approaches cannot reproduce arbitrary BxDFs. In particular, existing surface-based fabrication techniques are often limited to generating only specific angular frequencies, angle-shift-invariant radiance distributions, and sometimes only symmetric BxDFs. To overcome these limitations, we propose diffractive multilayer BxDF displays. We derive forward and inverse methods to synthesize patterns that are printed on stacked, high-resolution transparencies and reproduce prescribed BxDFs with unprecedented degrees of freedom within the limits of available fabrication techniques.

We present an algorithm for creating free-viewpoint video of interacting humans using three handheld Kinect cameras. Our method reconstructs deforming surface geometry and temporal varying texture of humans through estimation of human poses and camera poses for every time step of the RGBZ video. Skeletal configurations and camera poses are found by solving a joint energy minimization problem, which optimizes the alignment of RGBZ data from all cameras, as well as the alignment of human shape templates to the Kinect data. The energy function is based on a combination of geometric correspondence finding, implicit scene segmentation, and correspondence finding using image features. Finally, texture recovery is achieved through jointly optimization on spatio-temporal RGB data using matrix completion. As opposed to previous methods, our algorithm succeeds on free-viewpoint video of human actors under general uncontrolled indoor scenes with potentially dynamic background, and it succeeds even if the cameras are moving.

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