Abstract-Detecting the camera model used to shoot a picture enables to solve a wide series of forensic problems, from copyright infringement to ownership attribution. For this reason, the forensic community has developed a set of camera model identification algorithms that exploit characteristic traces left on acquired images by the processing pipelines specific of each camera model. In this paper, we investigate a novel approach to solve camera model identification problem. Specifically, we propose a data-driven algorithm based on convolutional neural networks, which learns features characterizing each camera model directly from the acquired pictures. Results on a wellknown dataset of 18 camera models show that: (i) the proposed method outperforms up-to-date state-of-the-art algorithms on classification of 64x64 color image patches; (ii) features learned by the proposed network generalize to camera models never used for training.

Due to the wide diffusion of JPEG coding standard, the image forensic community has devoted significant attention to the development of double JPEG (DJPEG) compression detectors through the years. The ability of detecting whether an image has been compressed twice provides paramount information toward image authenticity assessment. Given the trend recently gained by convolutional neural networks (CNN) in many computer vision tasks, in this paper we propose to use CNNs for aligned and non-aligned double JPEG compression detection. In particular, we explore the capability of CNNs to capture DJPEG artifacts directly from images. Results show that the proposed CNN-based detectors achieve good performance even with small size images (i.e., 64 Ã\u97 64), outperforming state-of-the-art solutions, especially in the non-aligned case. Besides, good results are also achieved in the commonly-recognized challenging case in which the first quality factor is larger than the second one

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The broad availability of tools for the acquisition and processing of multimedia signals has recently led to the concern that images and videos cannot be considered a trustworthy evidence, since they can be altered rather easily. This possibility raises the need to verify whether a multimedia content, which can be downloaded from the internet, acquired by a video surveillance system, or received by a digital TV broadcaster, is original or not. To cope with these issues, signal processing experts have been investigating effective video forensic strategies aimed at reconstructing the processing history of the video data under investigation and validating their origins. The key assumption of these techniques is that most alterations are not reversible and leave in the reconstructed signal some "footprints", which can be analyzed in order to identify the previous processing steps. This paper presents an overview of the video forensic techniques that have been proposed in the literature, focusing on the acquisition, compression, and editing operations, trying to highlight strengths and weaknesses of each solution. It also provides a review of simple processing chains that combine different operations. Anti-forensic techniques are also considered to outline the current limitations and highlight the open research issues