Makna dan Ideologi Punk

Naleni Kain is an SME (Small Medium Enterprise from Siwalankerto, Surabaya, which manufactures fabrics with tie-dye techniques. To spread its wings, this SME plans to sell clothing for the young to middle-aged people as its target market. It is important for the fashion business to design clothes according to its target market because trends are one of the consumer's considerations in buying clothes. But that is not necessarily the case, since a trend forecast needs to be synchronized to the target market's taste. This research aims to help Naleni Kain to improve by designing a collection that suits its market based on BEKRAF's 2019-2020 trend forecast. The research nature is qualitative by analyzing the trends of the market in Surabaya, the basic theories of fashion design, and the needs of Naleni Kain, to form the basis for implementing trend forecast into Naleni Kain fashion designs. The result is a mood board design with fashion sketches for men and women aged 18-35 years that can be used as a reference for future productions.

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“…Yourself" items such as safety pins, studded bracelets [7]. The Punk's rebellious vibe might be adopted in Neo Medieval theme.…”

Section: Trend and Fashionmentioning

confidence: 99%

Improving Naleni Kain’s Clothing Design by Implementing Fashion Trend Forecast

Renaningtyas¹,

Febriani²,

Damayanti³

2021

Proceedings of the 3rd International Conference on Arts and Design Education (ICADE 2020)

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“…Musik ini didominasi oleh nada-nada sosial khas Afrika (Ferguson et al, 2016). Musik punk adalah musik dan juga gaya hidup yang antipemerintah dan antikemapanan (Setyanto, 2015). Alterative adalah jenis musik yang berkembang dari musik rok karena penggunaan alat-alat musik listrik.…”

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Leksikon Biotik Di Panggung Musik: Perspektif Ekolinguistik

Sinungharjo

2020

sin

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Penelitian ini mendeskripsikan leksikon biotik di panggung musik dari perspektif ekolinguistik. Leksikon tersebut dilihat dari bentuk secara kebahasaan, dianalisis referennya, dan dilihat penggunaannya dalam panggung musik Indonesia. Penelitian ini melalui tiga tahap. Pertama disaring data-data melalui studi pustaka, dikenai teknik rekam catat dan disusun dalam daftar alfabetis, kemudian dicari pula informasi yang menyertai seperti genre dan asal pelaku musik tersebut. Lalu data-data tersebut diolah menggunakan metode padan, baik padan translasional, ortografis, dan padan referensial (Sudaryanto, 2015). Hal tersebut untuk melihat kesamaan, perbedaan, dan kesamaan hal pokok. Metode padan tersebut dilakukan dengan beberapa teknik metode padan (Kesuma, 2007; Sudaryanto, 2015). Pertama, teknik pilah unsur penentu. Daya pilah yang digunakan dalam teknik ini adalah daya pilah translasional untuk unsur kebahasaan asing, referensial untuk unsur acuan yang digunakan, lalu ortografis untuk melihat cara bahasawan menata ejaan nama panggung (NP). Kedua, teknik hubung banding untuk mencari kesamaan, perbedaan, dan kesamaan hal pokok dari data NP yang ditemukan. Setalah itu hasil analisis disajikan secara informal dan formal. Dari pengamatan ini ditemukan bahwa NP didominasi oleh leksikon Indonesia dan sebagian kecil leksikon bahasa asing. NP mengalami proses naturalistik baik dari segi penulisan dan segi proses morfologis. Referensi leksikon biotik meliputi hewan dan tumbuhan beserta hal metaforis dan historis yang menyertainya. Ada hubungan genre musik dan pengombinasian leksem biotik, yaitu leksem biotik lebih dominan pada musik dangdut. Lalu pemakaian unsur biotik sebagai unsur pusat ditemukan pada genre musik popular dan musik rok. Adapun pemakaian unsur biotik sebagai atribut terlihat pada musik reggae, punk, alternative, dan hardcore.

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Negotiating the Identity of Punk Children, Descriptive Study of the Phenomenon of Punk Children

Erwinsyah

Sinduwiatmo

2022

ijins

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Punk has been known to the public as a social group that has different characteristics from other communities, the lifestyle of punk children is the result of western culture which is accepted and applied in the social life of teenagers. At the beginning of the formation of the punk community, the principle was that without a leader in the community (no seniority), they prioritized solidarity, togetherness and kinship. The punk community is formed due to a factor or a problem from the family or other factors from each individual. In Singosari there are many punk children who live and settle there from outside the city or from Malang itself. This study aims to describe the identity negotiation of punk children in Singosari Malang. The method used in this research is qualitative. The population of this research is the Punk Community. Purposive Sampling technique for sampling while data collection using observation, interviews and documentation. The data analysis technique uses data reduction, data presentation and conclusion drawing. The results of this study are the identity of punk children in Singosari Malang is formed from interpersonal communication that has been carried out in their daily lives both with the punk community and with the community, the existence of openness, equality, empathy, support and positive attitudes carried out by punk children in mingling with the community so that its existence is well received.

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Makna dan Ideologi Punk

Cited by 4 publications

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Improving Naleni Kain’s Clothing Design by Implementing Fashion Trend Forecast

Improving Naleni Kain’s Clothing Design by Implementing Fashion Trend Forecast

Leksikon Biotik Di Panggung Musik: Perspektif Ekolinguistik

Negotiating the Identity of Punk Children, Descriptive Study of the Phenomenon of Punk Children

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