“…What is evident in this literature is that it is not enough to say that religion has not been privatized or how it has been publicized; rather it is necessary to address the production of the political‐moral sensibilities of the Pentecostal subject when living with others. These works have focused on understanding aesthetics, sensitivities, temporalities, moralities and family relationships, often in contexts of violence (e.g., Birman, 2019; Machado, 2014, 2020; Mauricio Junior, 2022; Pereira, 2019). In the Brazilian case, it is clear how the bellicose dynamic of defending their morality and beliefs, described in these works, is intertwined with aesthetics and playfulness, especially through the gospel music industry or in the Carnaval (Oosterban, 2017, 2021).…”