2020
DOI: 10.35508/jhbs.v2i1.2112
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Konsep Diri Perempuan Bercadar

Abstract: The phenomenon of veiled women in NTT, especially in the Kupang City area itself, is an increase in wearing. This can be seen from the emergence of Islamic women's associations that have several members who wear the veil as found in Al-Wahdah Islamiyah in the city of Kupang. In social life, veiled women often get negative responses as they are considered. The purpose of this study is to find out and describe the self-concept of women who are veiled in Al-Wahdah Islamiyah, Kupang City. This study uses a qualita… Show more

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Cited by 3 publications
(5 citation statements)
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“…One of which is expressed by wearing the face veil. The wearing of the face veil among Muslim women in East Nusa Tenggara is a phenomenon on the rise (Suksin et al, 2020). In Ende City, some Muslim women have begun covering their faces since 2015.…”
Section: Phenomenon Of the Face Veil In Ende Citymentioning
confidence: 99%
“…One of which is expressed by wearing the face veil. The wearing of the face veil among Muslim women in East Nusa Tenggara is a phenomenon on the rise (Suksin et al, 2020). In Ende City, some Muslim women have begun covering their faces since 2015.…”
Section: Phenomenon Of the Face Veil In Ende Citymentioning
confidence: 99%
“…Sejauh ini kecenderungan studi yang membahas tentang cadar masih berkisar pada, pertama; faktor pengguna cadar (Fitriani & Astuti, 2012;Maizuddin & Suarni, 2019), kedua; kepribadian orang bercadar (Karunia & Syafiq, 2019;Suksin et al, 2020), ketiga; penafsiran dan hukum terhadap cadar (Afifah, 2019;Aziz, 2018;Fitrotunnisa, 2018;Hakim, 2020;Kudhori, 2018;Mujahidin, 2019;Mustafa & Mujahida, 2018;Rasyid, 2018;Syeikh, 2019), keempat; komunikasi pengguna cadar (Hayati et al, 2020;Mutiah, 2013;Nursani, 2018;Ramdani & Aswar, 2020;Sahfitri, 2016;Zulfa & Junaidi, 2019), kelima; perlakuan terhadap pengguna cadar (Amanda & Mardianto, 2014;Andiko, 2018;Anjasmana & Affandi, 2019;Praditiani, 2017;Wahidah & Nuranisah, 2020), keenam; perkembangan cadar (Sudirman, 2019), ketujuh; identitas pengguna cadar (Aulia, 2013;Permatasari & Putra, 2018;Pratiwi & Martiarini, 2020), dan kedelapan; kelompok bercadar (Husna, 2018).…”
Section: Pendahuluanunclassified
“…Pertama; membahas cadar dari perspektif struktural seperti studi Afifah (2019), Amanda & Mardianto (2014), Andiko (2018) Anjasmana & Affandi (2019), Aziz (2018), Fitriani & Astuti (2012), Fitrotunnisa (2018) Hakim (2020, Kudhori (2018), Maizuddin & Suarni (2019), Mujahidin (2019), Mustafa & Mujahida (2018), Praditiani (2017), Rasyid (2018), Sudirman (2019), Syeikh (2019) dan Wahidah & Nuranisah (2020). Kedua; membahas cadar dari perspektif pemaknaan situasional (fenomenologis) seperti studi Aulia (2013), Hayati et al, (2020), Karunia & Syafiq (2019) Mutiah (2013, Nursani (2018), Permatasari & Putra (2018), Pratiwi & Martiarini (2020), Ramdani & Aswar (2020), Sahfitri (2016), Suksin et al, (2020) dan Zulfa & Junaidi (2019). Studi ini mencoba untuk menjembatani dari perspektif studi-studi di atas antara struktural dan fenomenologi.…”
Section: Pendahuluanunclassified
“…Because the face plays such an important part in the majority of beauty influencer content [7], the emergence of a niqabi influencer who reviews beauty products is unique. Women who wear niqab, or niqabi, typically wear long robes that conceal the shape of their bodies, avoid intricate and attention-drawing motifs, prefer dominantly dark colors, and wear large headscarves that cover the entire body and the niqab that covers the face [8]. In Indonesia, a social stigma attached to the niqab and niqabi.…”
Section: Introductionmentioning
confidence: 99%
“…In Indonesia, a social stigma attached to the niqab and niqabi. Many view the niqab and those who wear them in a negative light, often as religious fanatics [8]. Niqabi are often associated with extreme Islamism and terrorism.…”
Section: Introductionmentioning
confidence: 99%